The network of fast trains in Italy has really opened up easy travel between cities. With Firenze only 1h40 by Frecciarossa from Milan it’s easy to plan a day trip there. There is nothing keeping one from making it a weekend either, but having been away all weekend the previous one, I felt a day trip would be enough and boarded the train on Saturday morning. My anticipated glimpses of Bologna came to nought, when I realised that the fast track is entirely underground and barely getting out of the spectacular tunnel system through the Apennine Mountains just before Firenze. Not a lot to see, but it sure is quick!
The weather was cold and wet when I arrived in Firenze and I set off walking at a good pace to get warm. Firenze is full of history; every corner, every way you turn you find incredible historical buildings, churches and statues. I wished a few times I had access to Mary McCarthy’s book The Stones of Florence or had brushed up on my history knowledge to get more out of it. And in between the historical buildings there are tourists. Lots of tourists. Including me.
The first church you encounter is Santa Maria Novella, after which the train station is named; from there it doesn’t take long to see the telling shape of the cupola of Santa Maria del Fiore, a giant dome covered in red tiles. Notwithstanding the cold weather, tourists were everywhere, lining up for a chance to see the inside or going up the steps to the Cupola for a view. I had decided to just go with the flow today, rather than try and cram it all in. So I skipped the lines and walked into less crowded streets and in the general direction of the Galleria dell’Accademia de Firenze, the home of the David by Michelangelo. Somewhere on a corner I ducked into a local cafe to grab a hot cappuccino. Suitably warmed up I joined the queue for admission, which looked quite manageable and within 15 minutes I was inside and in possession of a ticket. I think I was just lucky that most people were still in the queues at Santa Maria del Fiore or at the Uffizi.
I had on previous visits seen replicas of the David statue, but never the original. It was incredible, hard to believe that hard marble can be made to looks so soft and sinuous. I was particularly fascinated at how his hands were sculpted, every vein and tendon so visible and realistic that you want to reach out and touch it, to make sure it really is what you are seeing.
This cultural experience was followed by hedonistic one, given I was near the leather shop that had been recommended to me by a friend. Ciro and Sofia took good care of me and it didn’t take very long for me to walk out with two fine leather jackets to add to my collection. By now the sun was out and Firenze looked even prettier now, the white, pink and greyish green stones of Santa Maria del Fiore illuminated in their intricate patterns.
It was time to look for some food for lunch and I decided to find the restaurant that had been suggested by a colleague. The directions took me through Via de’ Tornabuoni, the luxury designer strip of Firenze until I arrived at the river Arno, just as the sun radiated on Ponte Vecchio, the perfect location for some photographs of the bridge itself, rather than from the bridge.
The recommended restaurant was closed, but not too far from Ponte Vecchio I found another restaurant serving Tuscan food and had lunch there, before continuing my meanderings over Ponte Vecchio, briefly to the other side, Oltr’arno, and back towards Piazza della Signoria and from there to the Basilico di Santa Croce. By now the weather had deteriorated again and it started to rain and the light started to fail quickly.
It was almost time to make my way back to the station through the small streets to board my train back to Milano, but not before looking at a few window and market stall displays: a cornucopia of gloves, chocolates and spreads.
On the train back I pondered that there is so much to see in Firenze and it is all so steeped in history that one day simply doesn’t do it justice. You could spend a lifetime here and still not see it all. And the tourist crowds don’t facilitate good sightseeing either. This is a problem not unique to Firenze; other tourist cities suffer the same and it raises the question how you keep tourism in balance, to provide income for a place, but not disrupt normal life for its residents to such a large extent. I have no idea how the Florentines live in this city, particularly not in the summer months, or at least from Easter onwards until September. Are we killing all the beautiful places in the world with our desire to see it all?